Parthenon - odvolání přijímací řízení

Dobrý den, rád bych Vás chtěl poprosit o pomoc ohledně odvolání. Neuspěl jsem u přijímacího řízení na FF UK, obor Klasická archeologie potřetí v řadě a potřeboval bych 5 bodů z jedné z těchto 3 otázek, která je každá hodnocena 5 body. Pomůžete mi, prosím? Všechny 3 otázky jsem označil špatně, i přesto, že angličtině rozumím...

Parthenon

In spite of its position on the exterior of the cella building, the frieze played no role in the perception of the Parthenon from a distance, unlike the rest of its external decoration. The acroteria, pedimental structures and metopes of the Parthenon would have, in fact, already been apparent to a visitor entering through the propylaea. The visibility of these sculptures would have increased as the visitor advanced eastward, moving along the path that led through the centre of the acropolis and entering the chalkotheke terrace. Since the approach to the Parthenon was not on the axis, but somewhat to its north side, the building apparead first in three dimensions, and although the mass of the west facade dominated this view, an integral part of this view was a foreshortened glimpse of the colonnade along the north flank. In addition, due to the sloping of the acropolis towards the east, the Parthenon appeared not only standing on a platform, but also surging above a broad flight of sixteen steps. These steps must have added considerably to the impression of a structure rising towards the sky. The from the chalkotheke terrace presented the visitor of the acropolis with a clear, complete view of the acroteria, pedimental sculptures and metopes decorating the western portion of the building. The frieze, however, was excluded from this view, because the eye was unable to see beyond the architrave above the porch on the west front. R. Stillwell has shown that the farthest distance from which the centre height of the frieze tangent to the inner edge of the soffit of the main epistyle. This line shows that the frieze was fully revealed to viewers standing right in front of the broad flight of steps leading to the Parthenon terrace. However, it was only after ascending. Those steps, arriving at the unflagged artificial terrace that surrounded the Parthenon, and reaching at a distance of approximately nine meters away from the stylobate, that one would have enjoyed an optimal view of the frieze, a view completely unobstructed by the heavy the columns of the colonnade.

1.

a)Vnější sochařská výzdoba Parthenonu zahrnovala akrotéria, figury ve štítech a metopy.

b)Vnější sochařská výzdoba Parthenonu zahrnovala akroteria, figury ve štítech, metopy a vlys.

c)Vnější sochařská výzdoba Parthenonu zahrnovala akroteria, figury ve štítech, metopy, vlys a sloupoví.

2.

a)Parthenon byl umístěn na vysoké platformě z důvodu stoupajícího terénu.

b)Parthenon byl umístěn na vysoké platformě, aby působil majestátním dojmem.

c)Parthenon byl umístěn na vysoké platformě, aby byl jeho vlys lépe viditelný

3.

a)Vlys byl v celé své výšce viditelný teprve od úpatí schodiště vedoucího k chrámu.

b)Vlys byl v celé své výšce viditelný až při vstupu do nitra chrámu.

c)Vlys byl viditelný v celé své výšce teprve z vrcholu schodiště vedoucího k chrámu